Social Justice Activists Are Dismantling Theater: I Watched From the Inside
Theaters are bleeding attendance after overdosing on ideology, and they’re trying to exile heretics like me.
Prologue: Navigating Cultural Revolution
I’m days away from starting rehearsals for my third literary adaptation as a theater director; my heart is pounding with excitement and fear. There’s nothing more thrilling than the electricity of a vibrant rehearsal room full of talented, generous, creative actors and designers, collaborating with me to adapt literature into a play, but it’s also anxiety-producing because there are a million creative decisions to make. Nonetheless, the theater is booked and the curtain will rise in October 2024; the only thing to do is persist in the pursuit of making great theater.
The inspiration for this production—an adaptation of a 1924 dystopian novel by Russian heretic Yevgeny Zamyatin—arose from my experience, not in creative persistence, but persisting in the face of an ideology that endeavors to bar heretics like me from the arts.